Movie Twin Movies: the Secret Battles Behind Hollywood’s Uncanny Doubles

Movie Twin Movies: the Secret Battles Behind Hollywood’s Uncanny Doubles

26 min read 5159 words May 29, 2025

Every true movie obsessive knows the feeling: you step into a cinema, scan the coming attractions, and get hit with déjà vu. Two films with eerily similar plots, characters, or even poster designs are both fighting for your attention—sometimes within weeks of each other. Is it a glitch in the Matrix? A studio conspiracy? Or just a weird Hollywood quirk? Welcome to the wild, competitive, and sometimes absurd world of movie twin movies, where the line between inspiration and imitation is razor-thin, and the stakes—creative, financial, and reputational—are sky-high.

This isn’t just a fleeting annoyance for cinephiles or a punchline for late-night hosts. The phenomenon of movie twin movies—almost identical films released in close succession—exposes the ruthless underbelly of the film industry, the psychology of mass entertainment, and the delicate dance between originality and marketability. In this deep dive, we’ll strip back the glossy marketing, expose the studio wars, and ask why audiences can’t stop talking about these uncanny doubles. Ready to see Hollywood’s mirror image? Let’s get uncomfortable.

Why do twin movies haunt Hollywood?

The déjà vu dilemma: what are movie twin movies?

There’s nothing quite like the sensation of cinematic déjà vu: you’re hyped for an apocalyptic asteroid blockbuster, only to discover there’s another one—almost indistinguishable—hitting theaters the same summer. Or you watch a trailer about animated ants starting a revolution, and then, somehow, the very next preview is about... more animated ants, different studio, same season. This odd phenomenon, known as "movie twin movies," is Hollywood’s favorite double-take—a recurring spectacle where two or more films with nearly identical premises go head-to-head for box office supremacy.

Confused moviegoer facing two similar movie posters in cinema lobby, highlighting movie twin movies phenomenon

At its core, a movie twin movie is not just about a rip-off or lazy screenwriting. It’s a high-stakes industry chess match, a byproduct of cutthroat competition, and occasionally, a strange reflection of our collective anxieties or fascinations. Whether it’s volcanoes erupting in downtown L.A., rival magician duels, or talking insect societies, these films force us to question what originality really means in the studio system. Audiences notice, obsess, meme-ify, and passionately debate which version "got it right," fueling a cultural conversation that stretches from Reddit rabbit holes to film school seminars.

But why does it matter? Because these double releases tap into something primal: our urge to compare, to declare a "winner," and to parse the minuscule differences that reveal deeper truths about Hollywood—and ourselves.

A brief history of cinematic copycats

The roots of movie twin movies stretch back to the Golden Age of Hollywood, when studios churned out Westerns or musicals based on the faintest whiff of box office success. But the phenomenon exploded in the blockbuster era, when high-concept scripts leaked, trends spread like wildfire, and the pressure to beat rivals to market turned development into a high-stakes arms race.

YearTwin MoviesStudiosOutcome
1997"Dante’s Peak" / "Volcano"Universal / 20th CenturySplit, both moderate
1998"Armageddon" / "Deep Impact"Disney (Touchstone) / DreamWorks"Armageddon" wins big
1998"Antz" / "A Bug’s Life"DreamWorks / Pixar"A Bug’s Life" edges out
2006"The Prestige" / "The Illusionist"Warner Bros. / Yari Film GroupBoth gain acclaim
2013"White House Down" / "Olympus Has Fallen"Sony / Millennium FilmsBoth perform well

Table 1: Timeline of famous twin movies and their industry impact
Source: Original analysis based on Box Office Mojo, Variety, The Hollywood Reporter

According to industry insiders, the escalation of "competitive development" is less about copying and more about survival. As one seasoned producer explained (illustrative synthesis), "It’s less about copying, more about survival—studios know that being first isn’t just an advantage, it’s a necessity in Hollywood’s shark tank."

Over time, as marketing budgets swelled and audiences grew more sophisticated, the race to produce rival projects only intensified. The result: a trail of movies that look suspiciously alike, sometimes released just weeks apart, sparking debates that rage for decades.

The psychology of déjà view: why do we love and hate twin movies?

Why do twin movies stick in our collective memory so fiercely, sometimes more than truly original films? The answer lies in a cocktail of cognitive biases and emotional triggers that make these shadowy doubles irresistible—and occasionally infuriating.

We crave novelty but are hardwired to notice patterns. The repetition triggers curiosity ("Which is better?"), a dash of cynicism ("Are they just out of ideas?"), and even comfort ("I loved that disaster storyline, let’s see another take"). But our brains also remember anomalies—so when two volcanoes erupt on screen the same year, it’s burned into cultural consciousness.

Seven psychological triggers behind the movie twin phenomenon:

  • Confirmation bias: We notice similarities because we’re primed to spot what’s familiar or expected.
  • Recency effect: Twin movies often release in quick succession, making comparisons immediate and memorable.
  • Competition drive: Human nature loves a showdown—audiences and critics alike want to pick a winner.
  • FOMO (Fear of Missing Out): When films compete, viewers feel compelled to see both to stay in the cultural loop.
  • Genre comfort: Repeated themes offer a sense of safety and predictability, even as we crave fresh twists.
  • Skepticism: The appearance of duplication feeds conspiracy theories about Hollywood’s creative bankruptcy.
  • Social validation: Debating twin movies becomes a rite of passage for film buffs—think of it as a cinematic litmus test for taste.

These psychological hooks ensure twin movies are more than marketing curiosities—they’re cultural touchstones.

Inside the studio wars: how do twin movies happen?

Script leaks, spies, and the great Hollywood arms race

If you think Hollywood is a closed, tight-lipped culture, think again. The real story behind movie twin movies isn’t just about inspiration—it’s about espionage, leaky scripts, and infinite ambition. In an industry where everyone knows everyone, secrets are currency, and a hot pitch can crisscross town in less than a week. Agents shop scripts aggressively, studio execs jump ship (sometimes taking ideas with them), and the grapevine hums with rumors of the next big thing.

Noir-style writers exchanging scripts in shadowy Hollywood café, symbolizing competitive development in movie twin movies

When one studio gets wind of a promising concept—say, a planet-killing asteroid or a White House siege—they don’t just shrug and wish the competition well. Instead, they greenlight rival projects, pour cash into quick development, and sometimes even attempt to "scoop" the release by months.

Key Hollywood survival terms:

  • Script leak: When confidential scripts or treatments circulate between agents, studios, or journalists, often prompting battles over who gets to film the story first. Example: Competing asteroid disaster movies in 1998.
  • Competitive greenlighting: The practice of fast-tracking a project solely to counter or beat a rival studio’s similar project.
  • Development hell: The industry term for projects stuck in endless rewrites or delays, often overtaken by faster-moving twins.

This high-octane environment ensures that even a whiff of a trend can result in a dueling pair of films—sometimes to the audience’s benefit, sometimes to its confusion.

When inspiration turns into collision

Of course, not all twin movies are the result of backroom deals or corporate sabotage. Sometimes, parallel development is simply a matter of cultural zeitgeist. The late 1990s, for example, were awash with millennial anxieties—hence asteroids, plagues, and dystopias dominating the box office. In other cases, similar source material (public domain stories, historical events) prompt multiple studios to mine the same territory independently.

The line between homage and outright imitation can be razor-thin. Is "The Prestige" borrowing from "The Illusionist," or were both tapping into a sudden fascination with Victorian magic? According to film studies scholarship, these cases are often cited as evidence of Hollywood’s competitive instincts as much as its creative overlap.

The economics of doubling up

If you think twin movies are just a creative gamble, think again—they’re also a financial high-wire act. Studios hedge bets on genre popularity, hoping to catch a wave of audience enthusiasm but risking market saturation. When rivals split the audience, both can flop; but when the market is hot, both can cash in.

Twin Movie PairBox Office (Global)Critical Score (Rotten Tomatoes)Winner
Armageddon$553M38%Armageddon
Deep Impact$349M45%
Antz$171M92%
A Bug’s Life$363M92%A Bug’s Life
The Prestige$109M76%The Prestige
The Illusionist$87M73%

Table 2: Box office and critical scores for major twin movie pairs
Source: Original analysis based on Box Office Mojo, Rotten Tomatoes data

The hidden costs? Marketing wars, confusion in the marketplace, and the very real risk of both films cannibalizing each other’s audience. However, when both films succeed—like "Armageddon" and "Deep Impact"—the studios’ gamble can pay off handsomely.

Iconic twin movie battles: who won, who lost, and why?

Asteroids, bugs, and magicians: the most notorious cases

The twin movie phenomenon isn’t just a quirky footnote—it’s shaped box office history and studio legacies. Some face-offs have become the stuff of legend, fueling endless debate among cinephiles and spreadsheet-wielding executives alike.

Split-screen of asteroid disaster movie climaxes, representing box office battles of movie twin movies

Take the asteroid apocalypse rivalry of 1998: "Armageddon" (Disney) versus "Deep Impact" (DreamWorks). Both told near-identical tales of humanity racing against time to stop a world-ending rock, but the outcomes couldn’t have been more divergent. "Armageddon" detonated at the box office, grossing $553 million worldwide, while "Deep Impact" pulled a respectable (but lesser) $349 million. Critics were divided, but the Bay-hem spectacle won over popcorn audiences—and cemented Michael Bay as Hollywood’s go-to disaster maestro.

Then came the bug wars: DreamWorks’ "Antz" vs. Pixar’s "A Bug’s Life," both released in 1998. Creative differences were fierce—one was neurotic and edgy, the other classic and family-friendly. Timing and tone mattered: "A Bug’s Life" edged out "Antz" at the box office and in the cultural memory, though both scored high with critics.

The magician standoff of 2006—"The Prestige" versus "The Illusionist"—showed a different dynamic. Both films, steeped in turn-of-the-century intrigue, released within months. "The Prestige" slightly outgrossed and outscored its rival, but both are now cult favorites, beloved for different reasons.

The secret sauce: what separates a winner from a flop?

So what tips the scales in a twin movie showdown? Sometimes it’s timing, sometimes star power, and sometimes just a bit of luck.

Seven key elements that give a twin movie the edge:

  1. Cast charisma: Big stars or transformative performances can draw crowds regardless of the concept.
  2. Marketing muscle: Aggressive, memorable campaigns help one twin dominate the cultural conversation.
  3. Release timing: The first to market often wins—unless the second is clearly superior.
  4. Studio reputation: Trusted brands (like Pixar) inspire audience confidence.
  5. Directorial vision: A strong, unique point of view elevates even familiar stories.
  6. Critical buzz: Early reviews can tip undecided moviegoers.
  7. Audience fatigue: If the genre is oversaturated, even a superior film can get lost.

If the "loser" had launched first, could the roles be reversed? In a few cases, absolutely. A bold creative risk—edgier tone, subverted expectations, or a savvy marketing blitz—can tilt the balance in a film’s favor, even if the core story is familiar.

Underdogs and forgotten twins: the stories you haven’t heard

For every blockbuster battle, there’s a graveyard of lesser-known twins and underdog survivors. Sometimes, indie films with similar premises go head-to-head, only for one to quietly disappear while the other finds unexpected life on streaming or at festivals.

Rain-soaked city street with two nearly identical indie film posters, illustrating obscure movie twin movies

And occasionally, a forgotten twin is rediscovered years later, gaining cult status as new audiences appreciate its unique spin on a once-overdone formula. The story of twin movies is also a story of second chances—a reminder that cultural value can outlast short-term box office results.

The human cost: careers made, broken, and remade

Actors caught in the crossfire

For actors, being swept up in the twin movie tide is a double-edged sword. Sometimes, stars unwittingly sign onto back-to-back projects with similar themes, risking typecasting or fatigue. Other times, a breakout hit in one twin can launch a career, while the rival film spells disaster for a competing cast.

"Sometimes you don’t know which script will hit," notes an actress (illustrative synthesis), capturing the anxious roulette that even A-listers face. The fate of a twin movie can hinge on a single performance—turning unknowns into icons or, conversely, making them Hollywood cautionary tales.

Directors and writers: risk, reward, and rivalry

For filmmakers, originality is currency—and nothing stings more than seeing your passion project shadowed by a rival. Studios have been known to engage in sabotage, from leaking plot twists to the press to outspending competitors on publicity stunts. But there are also stories of reconciliation: rival directors striking up friendships, or writers using the twin phenomenon to push each other toward more daring creative risks.

In rare cases, projects even merge, with competing teams joining forces to maximize resources and create a single, stronger film.

When the audience wins—and when it doesn’t

Audiences are the ultimate arbiters in the twin movie wars. Sometimes, both films are hits, as with "White House Down" and "Olympus Has Fallen." Other times, both sink—"Friends with Benefits" and "No Strings Attached," anyone? The unpredictability keeps executives on edge and viewers guessing.

Six unexpected outcomes of twin movie releases:

  • Both films flop, lost in a crowded market.
  • Both achieve cult status, beloved by different subcultures.
  • One becomes a meme; the other fades into obscurity.
  • The "loser" inspires a superior sequel.
  • Rival fans spark ongoing online debates, keeping both films in the spotlight.
  • Both films are eventually appreciated for their unique takes on the same story.

Debunking the myths: is Hollywood really out of ideas?

Beyond copycatting: the reality of creative convergence

Let’s puncture the laziest myth in film criticism: that movie twin movies prove Hollywood’s creative bankruptcy. In reality, creative convergence—the simultaneous development of similar ideas—is common in every innovative industry. Tech companies develop similar apps, fashion designers debut lookalike collections, and scientists reach breakthroughs in parallel.

Creative convergence

The phenomenon where multiple creators independently develop similar ideas, often due to shared influences or cultural trends.

Genre saturation

The point at which so many similar stories fill the market that new entries struggle to stand out, even if they’re technically original.

In Hollywood, the relentless pace of production and the pressure to predict the next big trend create fertile ground for these overlaps. It’s not always nefarious, and it’s certainly not a sign that creative wells have run dry.

Of course, not all twin movies unfold peacefully. There have been legal skirmishes and accusations of plagiarism, but outright victories are rare—most studios avoid crossing the copyright line, racing to release instead of litigating.

Film(s)Legal ClaimOutcome
"Armageddon" vs. "Deep Impact"Idea theft allegedNot pursued
"Finding Nemo" vs. "Shark Tale"Similarity questionedNo lawsuit filed
"The Island" vs. "Parts: The Clonus Horror"Copyright infringementSettled, minor payout

Table 3: Notable legal cases involving alleged twin movies
Source: Original analysis based on Variety, The Hollywood Reporter

Most cases are settled out of court, or fizzle when it’s clear that high-concept premises (disaster movies, animated animals) aren’t easily copyrightable.

What most people get wrong about twin movies

It’s easy to buy into pervasive myths about twin movies. Here’s the reality check:

  • Myth 1: "Hollywood just copies everything."
    Rebuttal: Parallel development is often unintentional, driven by trends or public domain stories.
  • Myth 2: "The first to market always wins."
    Rebuttal: Sometimes the second film benefits from improved marketing or word of mouth.
  • Myth 3: "All twin movies are flops."
    Rebuttal: Many twins outperform expectations and become hits or cult favorites.
  • Myth 4: "Studios sue each other constantly over twins."
    Rebuttal: Legal action is rare; competition is usually settled at the box office.
  • Myth 5: "Twin movies only happen in Hollywood."
    Rebuttal: The phenomenon is global and spans decades.

"It’s not always as sinister as it seems," says a film critic (illustrative synthesis), echoing what many insiders quietly admit behind the scenes.

The streaming effect: new twins for a new era

Algorithms and the rise of digital déjà vu

With the rise of streaming giants, the movie twin phenomenon has mutated. Recommendation engines, audience data, and a relentless churn of "originals" now drive the creation of eerily similar projects—sometimes across continents, sometimes within a single platform. The speed of digital distribution means copycat cycles have accelerated, and global trends can spark twin movies overnight.

Abstract representation of streaming algorithm spawning similar movie suggestions, linking to movie twin movies

Today’s streaming platforms, like Netflix, Prime, and Disney+, use sophisticated AI to predict what will hook viewers, sometimes resulting in strikingly similar pitches going into production within months of each other. The upside? New genres and voices are surfacing. The downside? Audiences can feel trapped in a hall of mirrors, watching algorithm-spawned twins on repeat.

Case study: Streaming originals and surprise doubles

Recent years have seen streaming-first twins emerge: a gritty detective thriller drops on one service, and a near-identical premise appears on another weeks later. In many cases, projects are developed simultaneously, with teams unaware of the competition until trailers begin to circulate.

The step-by-step breakdown often goes like this:

  1. A trend is detected in viewer data (true crime, cozy mysteries, dystopian sci-fi).
  2. Multiple teams, sometimes in different countries, pitch similar stories.
  3. Development is fast-tracked to meet demand.
  4. Release dates are jockeyed for maximum impact, occasionally resulting in twins dropping within days.

What’s changed is the role of audience data. Streamers now test concepts against real-time viewer behavior, making the process less about imitation and more about maximizing engagement.

How to spot and leverage streaming twins as a viewer

Want to play detective? Here’s your cheat sheet for sniffing out the next streaming movie twins—and getting the most out of them.

Checklist: Signs you’re watching a streaming twin movie unfold

  1. Two or more films with nearly identical loglines debut within a few weeks.
  2. Major platforms launch similar genre films in the same quarter.
  3. Characters, settings, or themes appear suspiciously aligned across titles.
  4. Social media buzzes about déjà vu between new releases.
  5. Movie posters use similar color schemes, fonts, or imagery.
  6. Titles echo each other with minor word swaps.
  7. Streaming platforms feature "If you liked X, try Y" banners for their own originals.
  8. Press coverage highlights industry rumors about competing projects.
  9. Early reviews draw explicit comparisons between films.
  10. At least one title quietly shifts its release date to avoid direct competition.

Eight tips for getting the most out of twin movie releases:

  1. Watch both with a critical eye for subtle differences.
  2. Compare cast performances and directorial choices.
  3. Note which film was developed first—sometimes the underdog is the true innovator.
  4. Dive into critic and user reviews for unexpected perspectives.
  5. Discuss with friends—twin movies make great debate fodder.
  6. Use curated tools like tasteray.com to track and compare similar films.
  7. Don’t dismiss the "loser"—it might age into a cult gem.
  8. Keep a watchlist for future reference; trends often resurface.

Platforms like tasteray.com help you cut through the noise, offering personalized recommendations and spotting surprising connections you might otherwise miss.

How to become a twin movie detective: practical tools and insider tricks

Self-assessment: are you missing the signs?

Most viewers spot the obvious twins, but the real fun comes in tracking subtler patterns and industry maneuvers. Becoming a twin movie detective means noticing the red flags before the hype train leaves the station.

Detective board with string connecting pairs of movie posters, representing analysis of movie twin movies

Quick reference guide for tracking twin movie releases:

  • Set up Google Alerts for your favorite genres and actors.
  • Scan industry trade sites for development news.
  • Watch for sudden shifts in release calendars.
  • Note when multiple trailers with similar themes drop within weeks.

Checklist: 10 signs you’re watching a twin movie unfold

  1. Shared release window (same quarter or summer).
  2. Mirrored poster designs.
  3. Overlapping actors or production staff.
  4. Studios with a known rivalry involved.
  5. Rapid-fire marketing from both sides.
  6. Pre-release social media debates.
  7. Critic and blogger speculation.
  8. Genre trends peaking in the same year.
  9. Unusual secrecy or last-minute title changes.
  10. Deliberate leaks to the press.

Comparing twins: a viewer’s matrix

The best way to settle a twin movie debate? Make your own feature matrix. Compare plot nuances, casting gambles, creative risks, and, of course, box office receipts.

PairPlot DifferenceCast HighlightsBudget ($M)ReceptionBox Office ($M)
Armageddon / Deep ImpactGlobal save vs. family dramaWillis, Affleck / Leoni, Duvall140 / 80Popcorn / Gritty553 / 349
Antz / A Bug’s LifeNeurotic vs. classic heroAllen, Stallone / Foley, Hunt60 / 120Edgy / Family171 / 363
The Prestige / The IllusionistRivals vs. loversJackman, Bale / Norton, Giamatti40 / 16Twisty / Romantic109 / 87

Table 4: Feature matrix comparing iconic movie twin movies
Source: Original analysis based on Box Office Mojo, Variety

Judging a winner isn’t just about numbers—it’s about resonance, risk, and long-term impact.

Using twin movies to fuel your next film debate

There’s a reason cinephiles love dissecting twin movies: they’re the ultimate "what if" scenario, a provocation that exposes taste, bias, and critical blind spots.

Movie night arguments over "Antz" vs. "A Bug’s Life" or "Armageddon" vs. "Deep Impact" are the stuff of legend, sparking passionate defenses and hot takes. Don’t just go with the crowd—use platforms like tasteray.com to uncover overlooked twins and bring fresh ammunition to your next group watch.

Global perspectives: how the twin movie phenomenon plays out worldwide

Twin movies beyond Hollywood: case studies from Asia, Europe, and beyond

The movie twin phenomenon is far from a Hollywood monopoly. From Bollywood to Korean cinema, studios regularly rush similar projects into production, often inspired by regional trends or folk tales.

Montage of international film posters with similar plots, illustrating global reach of movie twin movies

In India, for instance, dueling mythological epics or family dramas often go head-to-head. In Korea, disaster thrillers or revenge sagas sometimes launch within days. Europe, too, sees a steady trickle of competing historical dramas or art-house experiments, each angling for festival glory.

Some notable non-Hollywood twins:

  • Two Chinese disaster films about earthquakes, released mere weeks apart.
  • Competing French biopics of the same literary icon.
  • Japanese studios racing to adapt the same manga with different creative teams.

Local attitudes toward duplication vary: in some markets, it’s seen as flattery; in others, as a cynical cash grab.

Cultural impact and cross-pollination

Global trends increasingly shape what kinds of twins emerge. International box office dynamics mean a Chinese disaster film can inspire a Hollywood remake, or vice versa. Sometimes, twin movies are reworked for export, with storylines or casting tweaked to better fit different cultures.

Regional hits can trigger a wave of similar films across borders—a process known as cross-pollination—reshaping genres and pushing creators to find new angles on familiar tales.

What global twins reveal about storytelling

Examining international twins reveals universal storytelling patterns:

  1. Shared anxieties (disaster, revenge, forbidden love) transcend cultural boundaries.
  2. Genre cycles (action, melodrama, sci-fi) peak simultaneously in different markets.
  3. Audiences crave both comfort (familiar stories) and novelty (new interpretations).
  4. Local flavor—music, setting, character archetypes—differentiates twins.
  5. Cross-border remakes and "inspired by" projects blur origin lines.
  6. The debate over originality versus homage is global, never settled.

This mosaic of movie twins emphasizes that while Hollywood is a trendsetter, the urge to double up is universal—and endlessly adaptable.

The future of movie twin movies: what’s next for cinema déjà vu?

AI, remakes, and genre mashups: the next frontier

Technology is chewing up and spitting out the rules of content creation faster than ever before. AI-powered script generators, global platforms, and the endless appetite for reboots mean new forms of movie twin movies are emerging: mashups of old and new genres, remakes across countries, and simultaneous productions on different continents.

Futuristic movie studio with AI scriptwriters at work, symbolizing evolving movie twin movies landscape

These advances promise fresh creativity but also risk more saturated markets. Audiences can stay ahead by sharpening their critical skills—comparing, contrasting, and seeking out the boldest voices in an increasingly crowded field.

What filmmakers and audiences can learn from the past

Five lessons for filmmakers:

  1. Don’t be afraid to innovate within familiar frameworks.
  2. Own your creative risks—audiences respond to vision, not just novelty.
  3. Study the competition, but double down on what makes your story unique.
  4. Use setbacks as learning opportunities; today’s "loser" could become tomorrow’s cult classic.
  5. Collaborate across borders to fuse tradition with surprise.

Five lessons for audiences:

  1. Look beyond surface similarities—what’s the deeper story?
  2. Compare how different creative teams tackle the same premise.
  3. Support underdog twins; you might discover a future favorite.
  4. Use tools like tasteray.com to spot trends and broaden your watchlist.
  5. Embrace the debate—movie twins are an invitation to sharpen your taste.

The cultural legacy of twin movies isn’t just about mimicry; it’s about the unpredictable alchemy of competition and creativity.

Conclusion: why twin movies matter more than ever

Movie twin movies aren’t a sign of creative bankruptcy—they’re the messy, exhilarating byproduct of an industry (and audience) that thrives on risk, rivalry, and reinvention. They force directors, writers, and actors to up their game, challenge audiences to see nuance, and make the culture richer, weirder, and more contentious.

Next time you spot two asteroid flicks or warring magicians vying for your attention, don’t roll your eyes. Instead, lean in. The true magic of cinema isn’t just in the stories we tell, but in how we retell, remix, and reimagine them—even if it means sitting through a little déjà vu at the box office.

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